24/01 – 24/03/2023
There is an interesting ambiguity in Albanian culture which affects the way in which the physical and temporal reality is perceived and interpreted. Namely, the same word “përpara” (in english – “forward”) is used to describe something that in the spatial sense is in front of us while in temporal sense the same word is used to describe something that happened in the past – therefore behind us! So, in other words, that which in a spatial sense is invisible because it rests behind us becomes visible as soon as it appears in front of us. While in a temporal sense it is the opposite – the past that is behind us is visible and known and the future in front of us is invisible and unknown.
Imagining the future seems to be very similar to the sense of ‘nostalgia’, because we try to predict the future by referring to our experiences and memories. Latest research suggests many of the same brain structures are involved in both remembering and forecasting and that they were “almost completely overlapping” when people remembered past events and imagined the future. This makes understanding the past and all the layers on top of it, the historical, cultural and existential contexts, extremely important in order to be able to freely but wisely imagine a much better future! Humanity is developing at an exponentially accelerated pace and our demands are in serious friction with the limited resources of our planet, new technologies are extremely disruptive and there is a rise in tendencies to limit, isolate, and disrupt free communication and exchange, sometimes even by individuals and organizations which should be protecting them, making the overall situation seem quite dim and hopeless, individually or collectively.
Artists are seldom at the forefront of the processes that aim to design the future, by helping and promoting positive developments but also by staying vigilant and critical to the same as well. Art mixes knowledge, values and traditions of the past with our innate ability to freely and courageously imagine the future. This mix is at the core of Art. Artists’ role is multidimensional and stretches across spatial and temporal limits reaching for optimism and purpose, progress and continuation, balance and peace!
Therefore, going back to the ambiguous “Përpara” phenomena, you are invited to put both, the Future and the Past, in front of you and freely compare, learn, understand and imagine new relationships and new connections between them and express them freely and participate. Put both Përpara’s in front of you!
Creative mediatorIlir Bajri
Participating artists:Viola Rrecaj
Dren & Ermir Suldashi
Stephanie Rizaj
Laureta Hajrullahu
Armend Xhaferi, Arian Randobrava, Art Lokaj
PËRPARA, marks the second exhibition within Scanning the region theme.Scanning the region is a series of exhibitions ideated, conceived and realized under this theme, through which we try to analyze ourselves away from the stereotypes under which narratives are created about our region and us as its inhabitants.For this exhibition Shtatëmbëdhjetë (17) is collaborating with forumZFD- Kosovo Program within the framework of their project Landscapes of Repair.Landscapes of Repair is a collaborative project on post-conflict landscapes in Kosovo and fosters academic research, documentation, and articulation of civil society actors and activists, cultural workers, artists, and local communities in the context of impacts of conflicts in Kosovo. Since 2022, Landscapes of Repair have explored the social and historical significance of (non-)musical, acoustic and sonic spheres of memorialization practices in Kosovo and beyond as applied research on the complex relation between acoustic artefacts and landscapes are an underrepresented field in DwP research in Kosovo.
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This exhibition is supported by Heinrich Böll Stiftung, Ministry of Culture, Youth and Sports and Municipality of Prishtina.
This activity is also supported also by Kosovar Civil Society Foundation (KCSF) program ‘EJA Kosovo’, co-financed by the Swiss Agency for Development and Cooperation (SDC), Sweden, and Government of the Grand Duchy of Luxembourg.
In cooperation with forumZFD Kosovo in the context of the project Landscapes of Repair this exhibition is supported by the German Federal Ministry for Economic Cooperation and Development (BMZ).