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X-WR-CALNAME:galeria17
X-ORIGINAL-URL:https://galeria17.org/en/
X-WR-CALDESC:Events for galeria17
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TZID:UTC
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TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:UTC
DTSTART:19690101T000000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20221208T190000
DTEND;TZID=UTC:20221208T200000
DTSTAMP:20260424T230218
CREATED:20221207T091506Z
LAST-MODIFIED:20221207T091646Z
UID:3870-1670526000-1670529600@galeria17.org
SUMMARY:Artist Talk: Project Drini
DESCRIPTION:
URL:https://galeria17.org/en/event/artist-talk-project-drini/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221206T190000
DTEND;TZID=UTC:20221206T200000
DTSTAMP:20260424T230218
CREATED:20221205T130959Z
LAST-MODIFIED:20221205T130959Z
UID:3848-1670353200-1670356800@galeria17.org
SUMMARY:Presentation: Fjollë Caka and Xhevdet Gegollaj
DESCRIPTION:
URL:https://galeria17.org/en/event/presentation-fjolle-caka-and-xhevdet-gegollaj/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221201T090000
DTEND;TZID=UTC:20230116T170000
DTSTAMP:20260424T230218
CREATED:20221124T160641Z
LAST-MODIFIED:20221124T162319Z
UID:3823-1669885200-1673888400@galeria17.org
SUMMARY:In the making / hapja e ekspozitës
DESCRIPTION:
URL:https://galeria17.org/en/event/in-the-making-opening-of-the-exhibition/
ATTACH;FMTTYPE=image/jpeg:https://galeria17.org/wp-content/uploads/2022/11/314332618_199236869231938_7392966981110293952_n-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221129T190000
DTEND;TZID=UTC:20221129T200000
DTSTAMP:20260424T230218
CREATED:20221122T151613Z
LAST-MODIFIED:20221122T151613Z
UID:3807-1669748400-1669752000@galeria17.org
SUMMARY:Views from the forest
DESCRIPTION:
URL:https://galeria17.org/en/event/views-from-the-forest/
ATTACH;FMTTYPE=image/jpeg:https://galeria17.org/wp-content/uploads/2022/11/Musarinda.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221124T190000
DTEND;TZID=UTC:20221124T190000
DTSTAMP:20260424T230218
CREATED:20221122T132318Z
LAST-MODIFIED:20221122T132807Z
UID:3793-1669316400-1669316400@galeria17.org
SUMMARY:Neighbourhood\, Islands of Conviviality
DESCRIPTION:
URL:https://galeria17.org/en/event/neighbourhood-islands-of-conviviality/
ATTACH;FMTTYPE=image/jpeg:https://galeria17.org/wp-content/uploads/2022/11/Rotor.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221121T190000
DTEND;TZID=UTC:20221121T200000
DTSTAMP:20260424T230218
CREATED:20221121T120448Z
LAST-MODIFIED:20221121T120831Z
UID:3780-1669057200-1669060800@galeria17.org
SUMMARY:Messing it up-queering the environment
DESCRIPTION:
URL:https://galeria17.org/en/event/messing-it-up-queering-the-environment/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221115T190000
DTEND;TZID=UTC:20221115T210000
DTSTAMP:20260424T230218
CREATED:20221109T132358Z
LAST-MODIFIED:20221109T132743Z
UID:3728-1668538800-1668546000@galeria17.org
SUMMARY:Mountains and Desire: is there a queer mountaineering?
DESCRIPTION:
URL:https://galeria17.org/en/event/mountains-and-desire-is-there-a-queer-mountaineering/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221110T110000
DTEND;TZID=UTC:20221130T190000
DTSTAMP:20260424T230218
CREATED:20221108T141829Z
LAST-MODIFIED:20221109T152809Z
UID:3718-1668078000-1669834800@galeria17.org
SUMMARY:In the making / open studio
DESCRIPTION:
URL:https://galeria17.org/en/event/in-the-making-open-studio/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220929T190000
DTEND;TZID=UTC:20220929T190000
DTSTAMP:20260424T230218
CREATED:20220926T085733Z
LAST-MODIFIED:20220926T090322Z
UID:3708-1664478000-1664478000@galeria17.org
SUMMARY:Panel discussion: PËRTEJ - Archiving Transition
DESCRIPTION:Panel discussion: PËRTEJ- Archiving Transition\n\nThe exhibition “PËRTEJ” was organized 25 years ago as a joint project of Dodona Gallery5 and the Center for Cultural Decontamination from Belgrade. A historical collaboration for the time and circumstances. This is because the organization of the exhibition in Belgrade in the circumstances of that time\, when Kosovo was practically before the outbreak of war was not an initiative that would be embraced by the central levels of both countries\, whether that of Kosovo or that of Serbia. However\, seen from today\, this exhibition\, despite the unfavorable political circumstances\, made its history. It marked the birth of a new generation of artists\, pioneers of contemporary art in Kosovo\, who were presented with high quality works that corresponded to the advanced trends in world contemporary art. Art connoisseurs in Belgrade\, as well as other internationals\, have highly appreciated their work. The echo of this bold exhibition helped a lot for this generation of artists as well as a later generation to be affirmed on the international scene to the extent that Kosovo Art has never reached before.\nThus\, giving light to local experiences and cultural exchanges between Pristina and Belgrade\, the starting point of this discussion will be on the exhibition that is open in Gallery 17 and Hotel Grand\, to reflect more broadly on the missing chapters in these 25 years.\n\nPanel:\nShkëlzen Maliqi\, philosopher\, political analyst and art critic\nAleksandra Sekulic\, program director at the Center for Cultural Decontamination in Belgrade\nBlerta Hoçia\, artist and curator\nBesa Luci\, editor-in-chief of Kosovo 2.0\nModeration:\nLura Limani\, writer and researcher\n\nNote: PËRTEJ – Archiving Transition exhibition is part of Manifesta 14 program.\n\n——————-\nThis project is implemented by Foundation 17 (Shtatëmbëdhjetë) as part of the action “Strengthening Inclusive Victims’ Voices” implemented by Integra\, NSI\, PAX\, and funded by the EU. It is also supported by the Swiss Cooperation Office in Kosovo.
URL:https://galeria17.org/en/event/panel-discussion-pertej-archiving-transition/
ATTACH;FMTTYPE=image/png:https://galeria17.org/wp-content/uploads/2022/07/Pertej_IG.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220724T180000
DTEND;TZID=UTC:20220724T210000
DTSTAMP:20260424T230218
CREATED:20220720T094847Z
LAST-MODIFIED:20220720T095323Z
UID:3638-1658685600-1658696400@galeria17.org
SUMMARY:Reception / PËRTEJ - Archiving Transition
DESCRIPTION:INVITATION\n\nPËRTEJ – Archiving Transition\nOpen for public: 23.07-30.10.2022\nReception: 24.07.2022/ 18:00h\n\nWe are delighted to invite you all to our next exhibition taking place at Galeria 17 and Grand Hotel. On Sunday\, July 24 we are gathering at Project Space 17 to celebrate the opening of our third exhibition\, which is part of Manifesta 14 program.\nArchiving transition\, is one of the four themes that Galeria 17 addresses in its annual program\, through art exhibitions and education program.\nArchiving transition refers to special and dedicated projects\, which have been swallowed up by the dynamics of the prolonged transition in our country\, making it impossible for us to stop and deepen in these common cultural stories. The missing chapters of our socio-cultural journey\, have left the stories of our cultural history in half. In this way\, today we lack data\, stories\, that connect and justify the developments of our society and consequently the developments of the art and culture scene in our country. Therefore\, the return to the exhibition “PËRTEJ” organized 25 years ago\, is not accidental\, on the contrary\, it is necessary to reconnect the inherited stories\, those that we are living and those that will be made. To re-establish and re-build communication between generations of artists\, art connoisseurs and art lovers. Furthermore\, to know ourselves\, to appreciate our stories and our cultural history.\nThus\, shedding light on local experiences\, Galeria 17 seeks to serve as a response to the many missing chapters of the country’s cultural history\, the desire to improve it and the aim to expand its activity beyond the place where it operates through cultural and education activities. Therefore\, bringing this exhibition to the premises of Galeria 17 with archival materials\, interviews 25 years later\, with the participants of the exhibition in the premises of the Grand Hotel\, as well as organizing a panel discussion at Project Space 17\, aims to stimulate public debate but also to reflect\, document and create missing references throughout a process that archives and educates.\n\nParticipants of the exhibition PËRTEJ – Archiving Transition\nShkëlzen Maliqi\nMaksut Vezgishi\nMehmet Behluli\nIlir Bajri\n\n——————-\nThis project is implemented by Foundation 17 (Shtatëmbëdhjetë) as part of the action “Strengthening Inclusive Victims’ Voices” implemented by Integra\, NSI\, PAX\, and funded by the EU. It is also supported by the Swiss Cooperation Office in Kosovo.
URL:https://galeria17.org/en/event/reception-pertej-archiving-transition/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://galeria17.org/wp-content/uploads/2022/07/Cover-event-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220723T190000
DTEND;TZID=UTC:20221023T170000
DTSTAMP:20260424T230218
CREATED:20220718T115734Z
LAST-MODIFIED:20220718T120704Z
UID:3630-1658602800-1666544400@galeria17.org
SUMMARY:PËRTEJ - Archiving Transition
DESCRIPTION:𝗣𝗘̈𝗥𝗧𝗘𝗝 – 𝗔𝗿𝗰𝗵𝗶𝘃𝗶𝗻𝗴 𝗧𝗿𝗮𝗻𝘀𝗶𝘁𝗶𝗼𝗻\n\n22/07/2022 – 30/10/2022\n\n𝘈𝘯𝘥 𝘵𝘩𝘰𝘴𝘦 𝘸𝘩𝘰 𝘩𝘶𝘴𝘣𝘢𝘯𝘥𝘦𝘥 𝘵𝘩𝘦 𝘎𝘰𝘭𝘥𝘦𝘯 𝘨𝘳𝘢𝘪𝘯\,\n𝘈𝘯𝘥 𝘵𝘩𝘰𝘴𝘦 𝘸𝘩𝘰 𝘧𝘭𝘶𝘯𝘨 𝘪𝘵 𝘵𝘰 𝘵𝘩𝘦 𝘸𝘪𝘯𝘥𝘴 𝘭𝘪𝘬𝘦 𝘙𝘢𝘪𝘯\,\n𝘈𝘭𝘪𝘬𝘦 𝘵𝘰 𝘯𝘰 𝘴𝘶𝘤𝘩 𝘢𝘶𝘳𝘦𝘢𝘵𝘦 𝘌𝘢𝘳𝘵𝘩 𝘢𝘳𝘦 𝘵𝘶𝘳𝘯’𝘥\n𝘈𝘴 𝘣𝘶𝘳𝘪𝘦𝘥 𝘰𝘯𝘤𝘦\, 𝘔𝘦𝘯 𝘸𝘢𝘯𝘵 𝘥𝘶𝘨 𝘶𝘱 𝘢𝘨𝘢𝘪𝘯.\n\nTrying to imagine the opening day of the Përtej exhibition in Belgrade in a year such as 1997\, we will be able to distinguish from the courtyard\, the experimental music that penetrates through the premises of the Center for Cultural Decontamination\, with sounds that are as surreal as the time that we are recalling. Then these lines from Omar Khayyam’s Rubaiyat emerge in an obsessive and at the same time indistinct manner in the acoustic landscape created by Ilir Bajri and become\, as he himself says\, “a metaphor for the ’90s in Kosovo\, where we were slowly dying every day.”\nIn fact\, the works of the four artists not only represent the time and the historical situation of Kosovo in real time and even preceding it\, but also mark a dividing point where the traditional forms of art up to that time are exceeded.\nThe works in the exhibition consist of the foreboding and anxiety of the decade materialized through contemporary artistic mediums. And those turbid visions will come true only a few months after the opening of the exhibition\, with the outbreak of the war and the attacks against civilians.\n\n𝗖𝗼𝗻𝘁𝗿𝗶𝗯𝘂𝘁𝗼𝗿𝘀 𝗼𝗳 𝘁𝗵𝗶𝘀 𝗲𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻:\nCurators: Blerta Hoçia\, Fitore Isufi – Shukriu\nTechnician: Skender Xhukolli\nVideo and editing: Leart Rama\nProduced by: Shtatëmbëdhjetë (17)\n\n𝘕𝘰𝘵𝘦:\n𝘗𝘌̈𝘙𝘛𝘌𝘑- 𝘈𝘳𝘤𝘩𝘪𝘷𝘪𝘯𝘨 𝘛𝘳𝘢𝘯𝘴𝘪𝘵𝘪𝘰𝘯 𝘪𝘴 𝘢 𝘥𝘰𝘤𝘶𝘮𝘦𝘯𝘵𝘢𝘳𝘺 𝘦𝘹𝘩𝘪𝘣𝘪𝘵𝘪𝘰𝘯\, 𝘱𝘢𝘳𝘵 𝘰𝘧 𝘸𝘩𝘪𝘤𝘩 𝘪𝘴 𝘪𝘯𝘴𝘵𝘢𝘭𝘭𝘦𝘥 𝘪𝘯 𝘎𝘢𝘭𝘦𝘳𝘪𝘢 17 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘰𝘵𝘩𝘦𝘳 𝘱𝘢𝘳𝘵 𝘢𝘵 𝘵𝘩𝘦 𝘎𝘳𝘢𝘯𝘥 𝘏𝘰𝘵𝘦𝘭.\n\n\n\n𝗘𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻 𝗺𝗮𝘁𝗲𝗿𝗶𝗮𝗹𝘀:\nPhotos from the Përtej exhibition\, press conference\, CZKD\, Belgrade (1997): Vesna Pavloviv\nPhotos from the opening of “Përtej/Beyond/Preko 20 years” (2017)\, organized from CZKD and Kosovo 2.0: Srdjan Veljović\nThe archival materials were provided by the Public Archives in Pristina and Belgrade. Also\, from the personal archives of the participants in PËRTEJ – Archiving Transition.\n\n𝗧𝗵𝗶𝘀 𝗲𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻 𝗶𝘀 𝗽𝗮𝗿𝘁 𝗼𝗳 𝗠𝗮𝗻𝗶𝗳𝗲𝘀𝘁𝗮 𝟭𝟰 𝗽𝗿𝗼𝗴𝗿𝗮𝗺.\n—————\nThis project is implemented by Foundation 17 (Shtatëmbëdhjetë) as part of the action “Strengthening Inclusive Victims’ Voices” implemented by Integra\, NSI\, PAX\, and funded by the EU. It is also supported by the Swiss Cooperation Office in Kosovo.
URL:https://galeria17.org/en/event/pertej-archiving-transition/
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://galeria17.org/wp-content/uploads/2022/07/Cover-event.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220322T190000
DTEND;TZID=UTC:20220322T190000
DTSTAMP:20260424T230218
CREATED:20220330T115438Z
LAST-MODIFIED:20220330T115438Z
UID:3159-1647975600-1647975600@galeria17.org
SUMMARY:Babylonian vision -  الرؤية البابلية
DESCRIPTION:BABYLONIAN VISION – الرؤية البابلية    \nBy: Nora Al-Badri \n22/03/2022 – 22/06/2022 \nOpening: 22/03/2022\, 19:00h\nAdress: Str.Henrik Bariç\, no.10\, Prishtinë\, 10000\, Republic of Kosovo \nAl-Badri expands on speculative archaeology and decolonial as well as machine learning based museum practices by generating technoheritage. A pre-trained neural network based on GAN technology (General Adversarial Networks) was trained with 10.000k images from 5 different museum collections with the largest collections of Mesopotamian\, Neo-Sumerian and Assyrian artefacts. The images were in the majority collected through web crawling and scraping and without the institution’s approval (even though she asked each museum beforehand) and just two through their open API. Subsequently new synthetic images evolve as a living memory of the images. The generated image is at the same time the artefact itself. Yet\, materiality is very important\, since the input images are images of material objects of our past. If MI is seen as a technology performing and processing our collective memory it makes sense to apply it to our big cultural data of the past and to generate new images as traces and circulating image worlds. Applying MI to cultural big data supplies other\, more speculative and abstract insights on the search for a visual language\, form and pattern of an era within a specific spatial context: Babylonian.  The input images of these databases carry time and memory themselves (patina\, broken pieces\, most of them mid- to low-res). Subsequently new synthetic images evolve as a living memory of the images. The generated image is at the same time the artefact itself.  \nWith texts written by: \nProf. Wendy M. K. Shaw\, Dr. Fazil Moradi\, Dr. Saud Al-Zaid\, Daphne Dragona\, Dr. Anita Hosseini \n*𝘕𝘰𝘵𝘦: 𝘛𝘩𝘪𝘴 𝘦𝘹𝘩𝘪𝘣𝘪𝘵𝘪𝘰𝘯 𝘤𝘰𝘮𝘦𝘴 𝘪𝘯 𝘵𝘩𝘦 𝘧𝘳𝘢𝘮𝘦𝘸𝘰𝘳𝘬 𝘰𝘧 𝘰𝘯𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘧𝘰𝘶𝘳 𝘵𝘩𝘦𝘮𝘦𝘴 𝘰𝘧 𝘎𝘢𝘭𝘦𝘳𝘪𝘢 17\, 𝘛𝘦𝘤𝘩𝘯𝘦. 𝘛𝘦𝘤𝘩𝘯𝘦\, 𝘪𝘴 𝘢 𝘴𝘦𝘳𝘪𝘦𝘴 𝘰𝘧 𝘦𝘹𝘩𝘪𝘣𝘪𝘵𝘪𝘰𝘯𝘴 𝘢𝘯𝘥 𝘤𝘰𝘯𝘵𝘳𝘪𝘣𝘶𝘵𝘪𝘰𝘯𝘴 𝘸𝘩𝘦𝘳𝘦 𝘢𝘳𝘵𝘪𝘴𝘵𝘴\, 𝘴𝘤𝘪𝘦𝘯𝘵𝘪𝘴𝘵𝘴 𝘢𝘯𝘥 𝘤𝘳𝘦𝘢𝘵𝘰𝘳𝘴 𝘮𝘦𝘦𝘵 𝘢𝘵 𝘵𝘩𝘦 𝘤𝘳𝘰𝘴𝘴𝘳𝘰𝘢𝘥𝘴 𝘰𝘧 𝘵𝘦𝘤𝘩𝘯𝘰𝘭𝘰𝘨𝘺 𝘢𝘯𝘥 𝘢𝘳𝘵. 𝘛𝘩𝘪𝘴 𝘦𝘹𝘩𝘪𝘣𝘪𝘵𝘪𝘰𝘯 𝘴𝘦𝘦𝘬𝘴 𝘵𝘰 𝘢𝘭𝘪𝘨𝘯 𝘰𝘶𝘳 𝘢𝘳𝘵𝘪𝘴𝘵𝘴 𝘢𝘯𝘥 𝘤𝘰𝘮𝘮𝘶𝘯𝘪𝘵𝘪𝘦𝘴 𝘸𝘪𝘵𝘩 𝘢 𝘣𝘳𝘰𝘢𝘥𝘦𝘳 𝘨𝘭𝘰𝘣𝘢𝘭 𝘥𝘪𝘴𝘤𝘰𝘶𝘳𝘴𝘦 𝘰𝘯 𝘵𝘦𝘤𝘩𝘯𝘰𝘭𝘰𝘨𝘺 𝘢𝘯𝘥 𝘪𝘯𝘯𝘰𝘷𝘢𝘵𝘪𝘰𝘯 𝘪𝘯 𝘢𝘳𝘵 𝘢𝘯𝘥 𝘢𝘳𝘵𝘪𝘴𝘵𝘪𝘤 𝘤𝘳𝘦𝘢𝘵𝘪𝘷𝘪𝘵𝘺. 𝘝𝘢𝘳𝘪𝘰𝘶𝘴 𝘤𝘰𝘯𝘵𝘳𝘪𝘣𝘶𝘵𝘰𝘳𝘴 𝘸𝘪𝘵𝘩 𝘢𝘳𝘵𝘪𝘴𝘵𝘪𝘤 𝘢𝘯𝘥 𝘴𝘤𝘪𝘦𝘯𝘵𝘪𝘧𝘪𝘤 𝘣𝘢𝘤𝘬𝘨𝘳𝘰𝘶𝘯𝘥 𝘸𝘪𝘭𝘭 𝘣𝘦 𝘪𝘯𝘷𝘪𝘵𝘦𝘥 𝘵𝘰 𝘴𝘩𝘢𝘳𝘦 𝘵𝘩𝘦𝘪𝘳 𝘬𝘯𝘰𝘸𝘭𝘦𝘥𝘨𝘦 𝘢𝘯𝘥 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦𝘴\, 𝘦𝘥𝘶𝘤𝘢𝘵𝘪𝘯𝘨 𝘢𝘯𝘥 𝘱𝘳𝘰𝘮𝘰𝘵𝘪𝘯𝘨 𝘴𝘪𝘮𝘪𝘭𝘢𝘳 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦𝘴 𝘢𝘮𝘰𝘯𝘨 𝘰𝘶𝘳 𝘭𝘰𝘤𝘢𝘭 𝘤𝘰𝘮𝘮𝘶𝘯𝘪𝘵𝘪𝘦𝘴.  \n———-\nThis exhibition is supported by the Swiss Cooperation Office in Kosovo and IPKO Foundation. \n—————————— \nBABYLONIAN VISION – الرؤية البابلية    \nNga: Nora Al-Badri \n22/03/2022 – 22/06/2022 \nHapja: 22/03/2022\,  19:00h\nAdresa: Rr.Henrik Bariç\, nr.10\, Prishtinë\, 10000\, Republika e Kosovës \nAl-Badri zgjerohet në arkeologjinë spekulative dhe praktikat muzeale dekoloniale\, si dhe të mësimit të makinerive\, duke gjeneruar trashëgimi teknologjike. Një rrjet nervor i para-trajnuar i bazuar në teknologjinë GAN (General Adversarial Networks) u trajnua me 10.000 mijë imazhe nga 5 koleksione të ndryshme muzeale me koleksionet më të mëdha të artefakteve Mesopotamiane\, Neo-Sumeriane dhe Asiriane. Imazhet u mblodhën në pjesën më të madhe përmes ‘crawling’ dhe ‘scraping’ të uebit dhe pa miratimin e institucioneve (edhe pse ajo i kërkoi çdo muzeu paraprakisht) dhe vetëm dy përmes API-ve të tyre të hapura. Më pas\, imazhet e reja sintetike evoluojnë si një kujtim i gjallë i imazheve. Imazhi i krijuar është në të njëjtën kohë edhe vetë artefakti. Megjithatë\, materialiteti është shumë i rëndësishëm\, pasi imazhet hyrëse janë imazhe të objekteve materiale të së kaluarës sonë. Nëse MI shihet si një teknologji që performon dhe përpunon kujtesën tonë kolektive\, ka kuptim ta zbatojmë atë në të dhënat tona të mëdha kulturore të së kaluarës dhe të gjenerojmë imazhe të reja si gjurmë dhe botë imazhesh qarkulluese. Zbatimi i MI në të dhënat e mëdha kulturore siguron njohuri të tjera\, më spekulative dhe abstrakte mbi kërkimin e një gjuhe vizuale\, formë dhe model të një epoke brenda një konteksti hapësinor specifik: babilonas. Imazhet hyrëse të këtyre bazave të të dhënave mbajnë vetë kohë dhe memorie (patina\, copa të thyera\, shumica e tyre me rezolucion të mesëm dhe të ulët). Më pas\, imazhet e reja sintetike evoluojnë si një kujtim i gjallë i imazheve. Imazhi i krijuar është në të njëjtën kohë edhe vetë artefakti. \nMe tekste të shkruara nga:  \nProf. Wendy M. K. Shaw\, Dr. Fazil Moradi\, Dr. Saud Al-Zaid\, Daphne Dragona\, Dr. Anita Hosseini \n*𝘚𝘩𝘦̈𝘯𝘪𝘮: 𝘒𝘫𝘰 𝘦𝘬𝘴𝘱𝘰𝘻𝘪𝘵𝘦̈ 𝘷𝘫𝘦𝘯 𝘯𝘦̈ 𝘬𝘶𝘢𝘥𝘦̈𝘳 𝘵𝘦̈ 𝘯𝘫𝘦̈ 𝘱𝘳𝘦𝘫 𝘬𝘢𝘵𝘦̈𝘳 𝘵𝘦𝘮𝘢𝘷𝘦 𝘵𝘦̈ 𝘎𝘢𝘭𝘦𝘳𝘪𝘢 17\, 𝘛𝘦𝘤𝘩𝘯𝘦. 𝘛𝘦𝘤𝘩𝘯𝘦\, 𝘥𝘰 𝘵𝘦̈ 𝘫𝘦𝘵𝘦̈ 𝘯𝘫𝘦̈ 𝘴𝘦𝘳𝘪 𝘦𝘬𝘴𝘱𝘰𝘻𝘪𝘵𝘢𝘴𝘩 𝘥𝘩𝘦 𝘬𝘰𝘯𝘵𝘳𝘪𝘣𝘶𝘵𝘦𝘴𝘩 𝘬𝘶 𝘢𝘳𝘵𝘪𝘴𝘵𝘦̈𝘵/𝘦𝘵\, 𝘴𝘩𝘬𝘦𝘯𝘤𝘦̈𝘵𝘢𝘳𝘦̈𝘵/𝘦𝘵 𝘥𝘩𝘦 𝘬𝘳𝘪𝘫𝘶𝘦𝘴𝘪𝘵/𝘦𝘵 𝘵𝘢𝘬𝘰𝘩𝘦𝘯 𝘯𝘦̈ 𝘬𝘳𝘺𝘲𝘦̈𝘻𝘪𝘮𝘪𝘯 𝘦 𝘵𝘦𝘬𝘯𝘰𝘭𝘰𝘨𝘫𝘪𝘴𝘦̈ 𝘥𝘩𝘦 𝘢𝘳𝘵𝘪𝘵. 𝘒𝘫𝘰 𝘦𝘬𝘴𝘱𝘰𝘻𝘪𝘵𝘦̈ 𝘱𝘦̈𝘳𝘱𝘪𝘲𝘦𝘵 𝘵𝘦̈ 𝘱𝘦̈𝘳𝘢𝘧𝘳𝘰𝘫 𝘢𝘳𝘵𝘪𝘴𝘵𝘦̈𝘵/𝘦𝘵 𝘥𝘩𝘦 𝘬𝘰𝘮𝘶𝘯𝘪𝘵𝘦𝘵𝘪𝘯 𝘵𝘰𝘯𝘦̈ 𝘮𝘦 𝘯𝘫𝘦̈ 𝘥𝘪𝘴𝘬𝘶𝘳𝘴 𝘮𝘦̈ 𝘵𝘦̈ 𝘨𝘫𝘦𝘳𝘦̈ 𝘨𝘭𝘰𝘣𝘢𝘭 𝘮𝘣𝘪 𝘵𝘦𝘬𝘯𝘰𝘭𝘰𝘨𝘫𝘪𝘯𝘦̈ 𝘥𝘩𝘦 𝘪𝘯𝘰𝘷𝘢𝘤𝘪𝘰𝘯𝘪𝘯 𝘯𝘦̈ 𝘢𝘳𝘵 𝘥𝘩𝘦 𝘬𝘳𝘪𝘫𝘪𝘮𝘵𝘢𝘳𝘪 𝘢𝘳𝘵𝘪𝘴𝘵𝘪𝘬𝘦. 𝘒𝘰𝘯𝘵𝘳𝘪𝘣𝘶𝘦𝘴/𝘦 𝘵𝘦̈ 𝘯𝘥𝘳𝘺𝘴𝘩𝘦̈𝘮 𝘮𝘦 𝘴𝘧𝘰𝘯𝘥 𝘢𝘳𝘵𝘪𝘴𝘵𝘪𝘬 𝘥𝘩𝘦 𝘴𝘩𝘬𝘦𝘯𝘤𝘰𝘳 𝘥𝘰 𝘵𝘦̈ 𝘧𝘵𝘰𝘩𝘦𝘯 𝘵𝘦̈ 𝘴𝘩𝘱𝘢𝘭𝘰𝘴𝘪𝘯 𝘯𝘫𝘰𝘩𝘶𝘳𝘪𝘵𝘦̈ 𝘥𝘩𝘦 𝘱𝘦̈𝘳𝘷𝘰𝘫𝘢𝘵 𝘦 𝘵𝘺𝘳𝘦\, 𝘥𝘶𝘬𝘦 𝘦𝘥𝘶𝘬𝘶𝘢𝘳 𝘥𝘩𝘦 𝘯𝘹𝘪𝘵𝘶𝘳 𝘱𝘳𝘢𝘬𝘵𝘪𝘬𝘢 𝘵𝘦̈ 𝘯𝘨𝘫𝘢𝘫𝘴𝘩𝘮𝘦 𝘯𝘦̈ 𝘮𝘦𝘴𝘪𝘯 𝘦 𝘬𝘰𝘮𝘶𝘯𝘪𝘵𝘦𝘵𝘪𝘵. \n———-\nRealizimi i kësaj ekspozite mbështetet nga Swiss Coopearation Office në Kosovë dhe IPKO Foundation.
URL:https://galeria17.org/en/event/babylonian-vision-%d8%a7%d9%84%d8%b1%d8%a4%d9%8a%d8%a9-%d8%a7%d9%84%d8%a8%d8%a7%d8%a8%d9%84%d9%8a%d8%a9/
LOCATION:Galeria17
ATTACH;FMTTYPE=image/jpeg:https://galeria17.org/wp-content/uploads/2022/03/3159_image_275559903_146157411206551_7105107958312460506_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220322
DTEND;VALUE=DATE:20220623
DTSTAMP:20260424T230218
CREATED:20210322T023029Z
LAST-MODIFIED:20220317T103520Z
UID:2755-1647907200-1655942399@galeria17.org
SUMMARY:Babylonian vision - الرؤية البابلية
DESCRIPTION:BABYLONIAN VISION – الرؤية البابلية\nBy: Nora Al-Badri\n\n22/03/2022 – 22/06/2022\nOpening: 22/03/2022\, 19:00h\nAdress: Str.Henrik Bariç\, no.10\, Prishtinë\, 10000\, Republic of Kosovo\n\nAl-Badri expands on speculative archaeology and decolonial as well as machine learning based museum practices by generating technoheritage. A pre-trained neural network based on GAN technology (General Adversarial Networks) was trained with 10.000k images from 5 different museum collections with the largest collections of Mesopotamian\, Neo-Sumerian and Assyrian artefacts. The images were in the majority collected through web crawling and scraping and without the institution’s approval (even though she asked each museum beforehand) and just two through their open API. Subsequently new synthetic images evolve as a living memory of the images. The generated image is at the same time the artefact itself. Yet\, materiality is very important\, since the input images are images of material objects of our past. If MI is seen as a technology performing and processing our collective memory it makes sense to apply it to our big cultural data of the past and to generate new images as traces and circulating image worlds. Applying MI to cultural big data supplies other\, more speculative and abstract insights on the search for a visual language\, form and pattern of an era within a specific spatial context: Babylonian. The input images of these databases carry time and memory themselves (patina\, broken pieces\, most of them mid- to low-res). Subsequently new synthetic images evolve as a living memory of the images. The generated image is at the same time the artefact itself.\n\nWith texts written by:\nProf. Wendy M. K. Shaw\, Dr. Fazil Moradi\, Dr. Saud Al-Zaid\, Daphne Dragona\, Dr. Anita Hosseini\n\n*𝘕𝘰𝘵𝘦: 𝘛𝘩𝘪𝘴 𝘦𝘹𝘩𝘪𝘣𝘪𝘵𝘪𝘰𝘯 𝘤𝘰𝘮𝘦𝘴 𝘪𝘯 𝘵𝘩𝘦 𝘧𝘳𝘢𝘮𝘦𝘸𝘰𝘳𝘬 𝘰𝘧 𝘰𝘯𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘧𝘰𝘶𝘳 𝘵𝘩𝘦𝘮𝘦𝘴 𝘰𝘧 𝘎𝘢𝘭𝘦𝘳𝘪𝘢 17\, 𝘛𝘦𝘤𝘩𝘯𝘦. 𝘛𝘦𝘤𝘩𝘯𝘦\, 𝘪𝘴 𝘢 𝘴𝘦𝘳𝘪𝘦𝘴 𝘰𝘧 𝘦𝘹𝘩𝘪𝘣𝘪𝘵𝘪𝘰𝘯𝘴 𝘢𝘯𝘥 𝘤𝘰𝘯𝘵𝘳𝘪𝘣𝘶𝘵𝘪𝘰𝘯𝘴 𝘸𝘩𝘦𝘳𝘦 𝘢𝘳𝘵𝘪𝘴𝘵𝘴\, 𝘴𝘤𝘪𝘦𝘯𝘵𝘪𝘴𝘵𝘴 𝘢𝘯𝘥 𝘤𝘳𝘦𝘢𝘵𝘰𝘳𝘴 𝘮𝘦𝘦𝘵 𝘢𝘵 𝘵𝘩𝘦 𝘤𝘳𝘰𝘴𝘴𝘳𝘰𝘢𝘥𝘴 𝘰𝘧 𝘵𝘦𝘤𝘩𝘯𝘰𝘭𝘰𝘨𝘺 𝘢𝘯𝘥 𝘢𝘳𝘵. 𝘛𝘩𝘪𝘴 𝘦𝘹𝘩𝘪𝘣𝘪𝘵𝘪𝘰𝘯 𝘴𝘦𝘦𝘬𝘴 𝘵𝘰 𝘢𝘭𝘪𝘨𝘯 𝘰𝘶𝘳 𝘢𝘳𝘵𝘪𝘴𝘵𝘴 𝘢𝘯𝘥 𝘤𝘰𝘮𝘮𝘶𝘯𝘪𝘵𝘪𝘦𝘴 𝘸𝘪𝘵𝘩 𝘢 𝘣𝘳𝘰𝘢𝘥𝘦𝘳 𝘨𝘭𝘰𝘣𝘢𝘭 𝘥𝘪𝘴𝘤𝘰𝘶𝘳𝘴𝘦 𝘰𝘯 𝘵𝘦𝘤𝘩𝘯𝘰𝘭𝘰𝘨𝘺 𝘢𝘯𝘥 𝘪𝘯𝘯𝘰𝘷𝘢𝘵𝘪𝘰𝘯 𝘪𝘯 𝘢𝘳𝘵 𝘢𝘯𝘥 𝘢𝘳𝘵𝘪𝘴𝘵𝘪𝘤 𝘤𝘳𝘦𝘢𝘵𝘪𝘷𝘪𝘵𝘺. 𝘝𝘢𝘳𝘪𝘰𝘶𝘴 𝘤𝘰𝘯𝘵𝘳𝘪𝘣𝘶𝘵𝘰𝘳𝘴 𝘸𝘪𝘵𝘩 𝘢𝘳𝘵𝘪𝘴𝘵𝘪𝘤 𝘢𝘯𝘥 𝘴𝘤𝘪𝘦𝘯𝘵𝘪𝘧𝘪𝘤 𝘣𝘢𝘤𝘬𝘨𝘳𝘰𝘶𝘯𝘥 𝘸𝘪𝘭𝘭 𝘣𝘦 𝘪𝘯𝘷𝘪𝘵𝘦𝘥 𝘵𝘰 𝘴𝘩𝘢𝘳𝘦 𝘵𝘩𝘦𝘪𝘳 𝘬𝘯𝘰𝘸𝘭𝘦𝘥𝘨𝘦 𝘢𝘯𝘥 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦𝘴\, 𝘦𝘥𝘶𝘤𝘢𝘵𝘪𝘯𝘨 𝘢𝘯𝘥 𝘱𝘳𝘰𝘮𝘰𝘵𝘪𝘯𝘨 𝘴𝘪𝘮𝘪𝘭𝘢𝘳 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦𝘴 𝘢𝘮𝘰𝘯𝘨 𝘰𝘶𝘳 𝘭𝘰𝘤𝘢𝘭 𝘤𝘰𝘮𝘮𝘶𝘯𝘪𝘵𝘪𝘦𝘴.\n———-\nThis exhibition is supported by the Swiss Cooperation Office in Kosovo and IPKO Foundation.
URL:https://galeria17.org/en/event/the-next-exhibition/
ATTACH;FMTTYPE=image/jpeg:https://galeria17.org/wp-content/uploads/2021/12/Babylonian_Vision_FB_cover.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220310T190000
DTEND;TZID=UTC:20220310T190000
DTSTAMP:20260424T230218
CREATED:20220330T115441Z
LAST-MODIFIED:20220401T150854Z
UID:3163-1646938800-1646938800@galeria17.org
SUMMARY:Artist Talk: Eljesa Beka
DESCRIPTION:Artist Talk: Eljesa Beka\n\nEljesa Beka is one of the participating artists in the exhibition Make me coffee make me a sandwich\, with the work\, Terminal. You will be able to understand more about the concept of her work for this exhibition during the talk\, as well as about her artistic practice in general.\nEljesa Beka\, a Prishtina born and raised multi-disciplinary artist\, has developed her career through a vast interest and work in music\, film programming and literature. By having access to various synthesizers\, hardware and film producing gear\, while being part of the crew of the only alternative cinema in the city – Kino ARMATA\, she learned how to work and experiment with sound\, producing ambient-to-electronic music. Eljesa is also well known for her impeccable taste in music by DJ-ing at numerous local venues. Though she is usually a solo-artist\, she also takes part in jam sessions with local and international artists and lately has also collaborated with two local musicians\, forming the experimental music band ‘This is Not’. Eljesa’s talent and dedication to music\, poetry and film have been ways of growing a deep appreciation for art and culture\, and have served as channels for self-exploration and expression.
URL:https://galeria17.org/en/event/artist-talk-eljesa-beka/
LOCATION:Shtatëmbëdhjetë\, Henrik Bariç\, Pristina\, 10000\, Kosovo
ATTACH;FMTTYPE=image/jpeg:https://galeria17.org/wp-content/uploads/2022/03/3163_image_275137448_144922424663383_7829502357099874199_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220303T190000
DTEND;TZID=UTC:20220303T210000
DTSTAMP:20260424T230218
CREATED:20220401T150233Z
LAST-MODIFIED:20220401T150653Z
UID:3327-1646334000-1646341200@galeria17.org
SUMMARY:Artist Talk: Milica Mijajlović
DESCRIPTION:Artist Talk: Milica Mijajlović\n\nMilica Mijajlović is one of the participating artists in the exhibition Make me coffee make me a sandwich\, with the work\, My potion\, my song. You will be able to understand more about the concept of her work for this exhibition during the talk\, as well as about her artistic practice in general.\nMilica Mijajlović (b. 1993\, Belgrade) is a visual artist working across various media. In her practice she focuses on the ambience and the symbolic notions of events that defined her\, while also questioning the meanings and the ways in which certain occurrences manifest in our society. She finished her MA studies at the Academy of Art\, Architecture and Design in Prague. She has\, so far\, had solo shows in the Czech Republic\, Hungary and Slovakia\, and she currently lives and works between Belgrade and Prague.
URL:https://galeria17.org/en/event/artist-talk-milica-mijajlovic/
ATTACH;FMTTYPE=image/jpeg:https://galeria17.org/wp-content/uploads/2022/03/3203_image_274664184_143455714810054_6161177250895752758_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220301T190000
DTEND;TZID=UTC:20220301T210000
DTSTAMP:20260424T230218
CREATED:20220401T145539Z
LAST-MODIFIED:20220401T145946Z
UID:3322-1646161200-1646168400@galeria17.org
SUMMARY:Artist Talk: Laureta Hajrullahu
DESCRIPTION:Artist Talk: Laureta Hajrullahu\n\nLaureta Hajrullahu is one of the participating artists in the exhibition Make me coffee make me a sandwich\, with the work\, Touching systems\, can’t they see? IT’S ALL CHROMA-GREEN. You will be able to understand more about the concept of her work for this exhibition during the talk\, as well as about her artistic practice in gjeneral.\nLaureta was born in Presheve (Presevo). She finished her middle and high school in the same city. After that\, she continued her Art Studies in the Faculty of Fine Arts at the University of Prishtina. Laureta works between Presevo and Prishtina. Laureta’s artistic interests lie in the topics of privacy\, gender\, intimacy\, digital ecosystems\, time-travelling\, artificial light and impossible futures… That being said she presents a diversity of critical views on reality by constantly deconstructing and re-combing the boundaries between the virtual and physical world\, using digital media. Hajrullahu’s work was presented in many different institutions\, she was a part of the Gjon Mili Biennale in The National Gallery of Kosovo\, and some of exhibitions she took part are: Rear-view Mirror\, The Boxing Club (Summer School as School 2017)\, A Pristine Blind Date\, LambdaLambdaLamda\, Prishtine\, The Artists of Tomorrow Award\, Stacion – Center for Contemporary Art Prishtina\, Given – Infrared\, former Kino-Rinia (Foundation Shtatembedhjete)\, among others.
URL:https://galeria17.org/en/event/artist-talk-laureta-hajrullahu/
ATTACH;FMTTYPE=image/jpeg:https://galeria17.org/wp-content/uploads/2022/04/Laureta-Hajrullahu-Cover-Talk.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220224T190000
DTEND;TZID=UTC:20220224T210000
DTSTAMP:20260424T230218
CREATED:20220401T144644Z
LAST-MODIFIED:20220401T144953Z
UID:3315-1645729200-1645736400@galeria17.org
SUMMARY:Artist Talk: Lori Lako
DESCRIPTION:Artist Talk: Lori Lako\nLori Lako is one of the participating artists in the exhibition Make me coffee make me a sandwich\, with the work On fog\, blur and other uncertainties. You will be able to understand more about the concept of her work for this exhibition during the talk\, as well as about her artistic practice in general\nLori Lako was born in Pogradec\, Albania in 1991. She has studied Painting BA (2009-2012) and Visual Arts and New Expressive Styles MA (2014-2017)\, at the Academy of Arts\, Florence\, Italy. In 2014 she won the Erasmus scholarship and attended her studies during the academical year (2014-2015) in the Academy of Arts\, Munich\, Germany. In 2020 she was the winner of ‘‘Ardhje Award’’\, national prize for visual artists under 35\, organised by Zeta Gallery\, Tirana.\nHer artistic practice reflects on the condition of postmodernity in a fast moving world among a multitude of images and information that hinder historical remembrance and the research of personal identity. One of the important elements of her artistic work is the investigation of the contemporary mediation of the internet and digital devices\, whether in historical or personal occurrences.\nAmong her recent exhibitions and screening: Ekrani i Artit\, curated by Art House\, Teatri Migjeni\, Shkodra\, 2021\,(AL); Klosterwiesgasse 74 / Ich höre einen Vogel Klagen – I hear a bird lament\, a project by Styrian-Artist-in-Residence (St.A.I.R)& <rotor> association for contemporary art\, Graz\, 2021\,(AT); Given\, Infrared curated by Blerta Hoçia\, Fondacioni 17\, Ex-Kino Rinia\, Prishtina\,2020(KS); Ardhje Award\, Finalists exhibition curated by Alban Hajdinaj\, Zeta Gallery\,Tirana\, 2020\,(AL).
URL:https://galeria17.org/en/event/artist-talk-lori-lako/
ATTACH;FMTTYPE=image/jpeg:https://galeria17.org/wp-content/uploads/2022/04/Lori-Lako-Cover-Talk.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220222T190000
DTEND;TZID=UTC:20220222T210000
DTSTAMP:20260424T230218
CREATED:20220401T144005Z
LAST-MODIFIED:20220401T144230Z
UID:3308-1645556400-1645563600@galeria17.org
SUMMARY:Artist Talk: Barbara Prenka
DESCRIPTION:Artist Talk: Barbara Prenka\n\nBarbara Prenka is one of the participating artists in the exhibition Make me coffee make me a sandwich\, with the work Bodies as Steps. You will be able to understand more about the concept of her work for this exhibition during the talk\, as well as about her artistic practice in general\n\nBarbara Prenka (Gjakova\, Kosovo\, 1990) graduated with Professor Carlo Di Raco at the Academy of Fine Arts in Venice\, lives and works between Venice and Bolzano.\nShe is interested in the spontaneity of the gesture\, the freshness\, the dirt that runs through the pictorial progression\, painting as a process\, as a succession of unexpected events and rediscoveries\, the making and undoing that defines the subject. Physicality is the starting point of her work\, the starting idea of a work the process of frantic and passive realization\, physicality as a body that moves\, creates\, destroys\, does not act on the pictorial material.\nIn 2021 participated in the solo exhibition Shelter Lines curated by Edoardo Monti at Palazzo Monti – in the art residency at Palazzo Monti Brescia\, curated by Edoardo Monti. In 2020 Whatever It Takes at A plus A gallery curated by Curatorial School Venice – participated in Pesi Massimi at Spazio Punch curated by Augusto Maurandi. Renovation at the Marina Bastianello Gallery. In 2019 participates in the collective Margine curated by Raffaelle Santillo and Daniele Capra in Pordenone – at the artistic residency Bocsart Cosenza\, curated by Giacinto Di Pietrantonio group exhibition Etna & Paricutin\, Centro Cultural Antiguo Colegio Jesuita\, Fabrica de San Pedro Uruapan Mexico – Il disegno Politico Italiano\, curated by Aurora Fonda and Sandro Pignotti\, at A plus A gallery Venice. – Figolammerda ep. 2\, curated by Pier Paolo Scelsi and Valentina Gioia Levy\, at Giudecca Art District\, Venice. In 2018 he participates in Artissima stand n.30 Fiera di Torino – Charming Encounters curated by Dionisio Gavagnin and Marina Bastianello. Afterwards he takes part in the group exhibition – 777 at the bottom right – at the spaces of Venice Art Projects\, curated by School for Curatorial Studies Venice.
URL:https://galeria17.org/en/event/artist-talk-barbara-prenka/
ATTACH;FMTTYPE=image/jpeg:https://galeria17.org/wp-content/uploads/2022/04/Barbara-Prenka-Cover-Talk.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220216T190000
DTEND;TZID=UTC:20220216T210000
DTSTAMP:20260424T230218
CREATED:20220216T142728Z
LAST-MODIFIED:20220401T143428Z
UID:3298-1645038000-1645045200@galeria17.org
SUMMARY:Artist Talk: Azize Ferizi
DESCRIPTION:Artist Talk: Azize Ferizi\n\nAzize Ferizi is one of the participating artists in the exhibition Make me coffee make me a sandwich. You will be able to understand more about the concept of her work for this exhibition during the talk\, as well as about her artistic practice in general.\nAzize Ferizi (1996) works and lives in Geneva where she’s completing her master degree at the HEAD fine arts-Geneva. Ferizi grew up between Switzerland and Kosovo\, where her parents originated from.\nThrough my pictorial practice\, I paint mainly women in domestic spaces. I recreate real or fictional scenes inspired by my daily life. My patterns are constructed from images taken from both my personal experience and the popular culture that surrounds me. Often disproportionate\, the women I paint take on the status of titans or heroines. They are giants.\nShe showed her work in a Solo Show SIS IS HARDCORE\, Cherish\, Geneva (2020)\, and in group shows as Nour El Ain\, Karma International\, Zürich (2021)\, Weaving Home\, Limbo\, Geneva (2020) and Nouveaux Sacrés\, Voiture 14\, Marseille (2019). She’s the laureat of the Ducastel Prize 2020 and The Theodore Stravinsky Prize 2021.
URL:https://galeria17.org/en/event/artist-talk-azize-ferizi/
ATTACH;FMTTYPE=image/jpeg:https://galeria17.org/wp-content/uploads/2022/02/Azize_Ferizi_eventpic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220214T190000
DTEND;TZID=UTC:20220214T203000
DTSTAMP:20260424T230218
CREATED:20220214T141125Z
LAST-MODIFIED:20220401T143728Z
UID:3287-1644865200-1644870600@galeria17.org
SUMMARY:Curator Talk: Natalija Vujošević
DESCRIPTION:Curator Talk: Natalija Vujošević\n\nNatalija Vujošević curated Make me coffee make me a sandwich exhibition which opened on 16 November last year. This exhibition also marked the opening of Galeria 17 where the works of six participating artists are exhibitet: Azize Ferizi\, Barbara Prenka\, Eljesa Beka\, Laureta Hajrullahu\, Lori Lako and Milica Mijajlović.\nYou will be able to understand more about the concept of this exhibition during the talk with Natalija\, as well as about her artistic and curatorial practices in general.\nHer artist practice is built from experiences of life in ruins of society\, on the sidelines of global capitalism: the fatal transition to the Western Balkans and the neo-colonial politics and the occupation of natural resources on the Adriatic coast.\nShe is the founder and director of the non-governmental organization\, the Institute of Contemporary Art in Montenegro\, which has been active since 2015\, which is dedicated to contemporary art theory\, education\, research\, and archives. In the Institute they established the first award for the young artists in Montenegro (in cooperation with Trust For Mutual Understanding New York). In the National Library of Montenegro\, they are developing an alternative book collection that consists of art theory\, philosophy\, and humanistic science written in the last 3 decades (after Yugoslavia).\nThe focus of her curatorial research and practice is the presentation of constructs and archives through exhibition-making\, seeking renewed modes of communication\, engagement\, and understanding through new interpretations and expanded forms.\nRecent projects as curator: Missing Stories / Forced labor in Nazi Germany Goethe Institut Belgrade – ongoing project and exhibition (*co-curator) 2020 / 2022\, Future Ecologies/ Future in Debris collaborative project with British Council Collection and LUX London\, Spring – summer 2021 / Montenegro\, Cetinje Biennales Archive ongoing research and exhibition programme Institute of Contemporary Art Montenegro with Fondation Petrović Njegoš\, Comrades / AFŽ in Montenegro 1943 – 1953 2017/2018 \, a research project and exhibition dedicated to the AFZ archive (the anti-fascist front of women in socialist Yugoslavia. Archive + contemporary art interventions and interviews.\nAs artist: Invisible\, ArtYard Art Center\, New Jersey\, USA / 2022; Bigger than Myself Heroic Voices from ex-Yugoslavia / curated by Zdenka Badovinac / 2021MAXXI Museum Rome; South\, south\, let’s go south! 30th Memorial Nadežda Petrović\, Čačak\, 2020; Fulfillment Center / Black Cube Nomadic Museum / Denver\, Colorado 2019 /2020.
URL:https://galeria17.org/en/event/curator-talk-natalija-vujosevic/
ATTACH;FMTTYPE=image/jpeg:https://galeria17.org/wp-content/uploads/2022/02/Natalija-Vujosevic-Cover-Talk.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211116
DTEND;VALUE=DATE:20220217
DTSTAMP:20260424T230218
CREATED:20220222T014700Z
LAST-MODIFIED:20220317T100853Z
UID:2752-1637020800-1645055999@galeria17.org
SUMMARY:Opening of Galeria 17
DESCRIPTION:Opening of Galeria 17\n\n\n\nMake me coffee make me a sandwich\n\n\n\nCurated by: Natalija Vujošević\n\n\nArtists: Eljesa Beka\, Azize Ferizi\, Laureta Hajrullahu\, Lori Lako\, Milica Mijajlović\, Barbara Prenka\n\n\n\nThe first exhibition is part of one of the four themes of Galeria 17\, Scanning the Region\, this time under the curatorial concept of artist and curator Natalija Vujošević.\nSix artists have been invited to reflect on existing links within a community that is seeking to centre the need for collective action and space as a field of co-production of knowledge\, and living practices. This kind of artistic activity presents methodologies and tools to exercise the health of our communal energy\, the relationship and position between friends\, rhythms\, bodies\, relatives\, colleagues\, and lovers\, in this common space.\nThe artworks will unfold as a process which marks its time. Throughout the programme\, art lovers will discover new works\, stories\, sounds\, spices and community rituals\, which will take place in Galeria 17 and spread to the neighborhood. The exhibition will be developmental\, marking the opening of each of its chapters.\n\n\n\n©Atdhe Mulla\n\n\n\n——–\nThis exhibition is supported by Swiss Cooperation Office in Kosovo\, Ministry of Culture\, Youth and Sport and Municipality of Prishtina.
URL:https://galeria17.org/en/event/opening-of-galeria-17/
LOCATION:Prishtine\, pr\, Prishtina\, Kosova\, 10000\, Albania
ATTACH;FMTTYPE=image/jpeg:https://galeria17.org/wp-content/uploads/2021/12/258533702_116530654169227_9140843500901905786_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260424T230218
DTEND;TZID=UTC:20230323T190000
DTSTAMP:20260424T230218
CREATED:20230320T161743Z
LAST-MODIFIED:20230320T161743Z
UID:4198-0-1679598000@galeria17.org
SUMMARY:Experiential session
DESCRIPTION:
URL:https://galeria17.org/en/event/experiential-session/
END:VEVENT
END:VCALENDAR