Tevž Logar (1979) works as an independent curator, editor and author. He has curated or co- curated a number of group and solo exhibitions and collaborated with institutions, galleries, collections and publishers, such as: Museum of Modern and Contemporary Art, Łódź; Moderna galerija, Ljubljana; The Fondazione Sandretto Re Rebaudengo, Turin; Kunsthalle Praha; TBA21, Vienna; The Ovidiu Șandor Collection, Timișoara; Kunsthalle, Bratislava; Biennial of Graphic Arts, Ljubljana; Museum of Modern and Contemporary Art, Rijeka; Ludwig Museum, Budapest; James Gallery, New York; VOX, Montreal; Cooper Gallery, Dundee; American University Beirut; CAC Geneve; Kontakt Collection, Vienna; National Gallery of Kosovo; Galerija Gregor Podnar; Suprainfinit, Bucharest; Mousse Publishing, Milan; Routledge, New York; and Artforum, New York. For the 55″” Venice Biennial (2013) he worked as a curator of the Slovenian pavilion, while for the 58th Venice Biennial (2019), he worked with the Pavilion of Republic of North Macedonia as curatorial consultant and the Pavilion of Republic of Kosovo as a writer. From 2009 to 2014, he was the artistic director of the Škuc Gallery in Ljubljana, Slovenia, and a lecturer in 20th Century Art History at the Academy of Visual Arts (AVA) in the same city. He was the screenwriter of the full-length documentary Project Cancer: Ulay’s journal from November to November (2013) and is a co-founder of the Ulay Foundation (2014) in Amsterdam, where he now sits as a member of the Advisory Board. Since 2023 he acts as a president of the acquisition board of NLB Bank SEE Collection in Ljubljana, Slovenia. In 2014, he was nominated for the Gerrit Lansing Independent Vision Award (Independent Curators International) in New York. He lives in Rijeka, Croatia.
Tevž Logar
