{"id":3062,"date":"2022-03-18T09:30:44","date_gmt":"2022-03-18T09:30:44","guid":{"rendered":"https:\/\/galeria17.org\/ekspozitat\/archiving-transition%ef%bf%bc\/"},"modified":"2025-09-24T13:35:43","modified_gmt":"2025-09-24T13:35:43","slug":"archiving-transition","status":"publish","type":"page","link":"https:\/\/galeria17.org\/en\/exhibition\/archiving-transition\/","title":{"rendered":"Archiving transition"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Archiving transition refers to dedicated projects, which have been swallowed up by the dynamics of the prolonged transition in our country, making it impossible for us to stop and deepen in these common cultural stories.&nbsp; Going back and stopping at these stories means digging into the stratifications of our cultural history. Researchers, scholars, artists and theorists are invited to be involved in a process that analyzes, documents and archives.<a href=\"https:\/\/galeria17.org\/\"><\/a><\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"columns-2 wp-block-post-template is-layout-grid wp-container-core-post-template-is-layout-28b052f3 wp-block-post-template-is-layout-grid\"><li class=\"wp-block-post post-5257 post type-post status-publish format-standard has-post-thumbnail category-archiving-transition-en cs-entry cs-video-wrap\">\n<h2 id=\"fitore-isufi-shukriu-koja\" class=\"wp-block-post-title\"><a href=\"https:\/\/galeria17.org\/en\/fitore-isufi-shukriu-koja\/\" target=\"_self\" >Fitore Isufi Shukriu &#8211; Koja<\/a><\/h2>\n\n<figure class=\"alignwide wp-block-post-featured-image\"><a href=\"https:\/\/galeria17.org\/en\/fitore-isufi-shukriu-koja\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"1081\" height=\"1351\" src=\"https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/1-100.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Fitore Isufi Shukriu &#8211; Koja\" style=\"object-fit:cover;\" srcset=\"https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/1-100.jpg 1081w, https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/1-100-240x300.jpg 240w, https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/1-100-819x1024.jpg 819w, https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/1-100-768x960.jpg 768w, https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/1-100-200x250.jpg 200w, https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/1-100-380x475.jpg 380w, https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/1-100-580x725.jpg 580w\" sizes=\"auto, (max-width: 1081px) 100vw, 1081px\" \/><\/a><\/figure>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Co-curator of the exhibition Artists of dhe Day After Tomorrow \u2013 Recording Transition(2002-2024) Fitore Isufi Shukriu I KOJA (1982) is a visual artist and lecturer. Her work and research explore the relationship between artists\u2019 engagement and power structures in climates of transition. Her work and research have been presented and exhibited in local and international&hellip; <\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n<div class=\"wp-block-post-date\"><time datetime=\"2025-06-18T13:25:40+00:00\">June 18, 2025<\/time><\/div>\n<\/li><li class=\"wp-block-post post-5255 post type-post status-publish format-standard has-post-thumbnail category-archiving-transition-en cs-entry cs-video-wrap\">\n<h2 id=\"miran-mohar\" class=\"wp-block-post-title\"><a href=\"https:\/\/galeria17.org\/en\/miran-mohar\/\" target=\"_self\" >Miran Mohar<\/a><\/h2>\n\n<figure class=\"alignwide wp-block-post-featured-image\"><a href=\"https:\/\/galeria17.org\/en\/miran-mohar\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"1081\" height=\"1351\" src=\"https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/2-100.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Miran Mohar\" style=\"object-fit:cover;\" srcset=\"https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/2-100.jpg 1081w, https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/2-100-240x300.jpg 240w, https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/2-100-819x1024.jpg 819w, https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/2-100-768x960.jpg 768w, https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/2-100-200x250.jpg 200w, https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/2-100-380x475.jpg 380w, https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/2-100-580x725.jpg 580w\" sizes=\"auto, (max-width: 1081px) 100vw, 1081px\" \/><\/a><\/figure>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Co-curator of the exhibition Artists of the Day After Tomorrow \u2013 Recording Transition (2002-2024) Miran Mohar (born 1958 in Novo Mesto, Slovenia) is an artist, graphic and stage designer based in Ljubljana.He is a member (together with Du\u0161an Mandi\u0107, Andrej Savski, Roman Uranjek+ and Borut Vogelnik) of the artist group IRWIN and co-founder of the&hellip; <\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n<div class=\"wp-block-post-date\"><time datetime=\"2025-06-18T13:24:29+00:00\">June 18, 2025<\/time><\/div>\n<\/li><li class=\"wp-block-post post-5253 post type-post status-publish format-standard has-post-thumbnail category-archiving-transition-en cs-entry cs-video-wrap\">\n<h2 id=\"public-lecture-what-is-the-art-system\" class=\"wp-block-post-title\"><a href=\"https:\/\/galeria17.org\/en\/public-lecture-what-is-the-art-system\/\" target=\"_self\" >Public Lecture: What is the art system?<\/a><\/h2>\n\n<figure class=\"alignwide wp-block-post-featured-image\"><a href=\"https:\/\/galeria17.org\/en\/public-lecture-what-is-the-art-system\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"1081\" height=\"1350\" src=\"https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/Instagram_-Poster-100.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Public Lecture: What is the art system?\" style=\"object-fit:cover;\" srcset=\"https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/Instagram_-Poster-100.jpg 1081w, https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/Instagram_-Poster-100-240x300.jpg 240w, https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/Instagram_-Poster-100-820x1024.jpg 820w, https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/Instagram_-Poster-100-768x959.jpg 768w, https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/Instagram_-Poster-100-200x250.jpg 200w, https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/Instagram_-Poster-100-380x475.jpg 380w, https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/Instagram_-Poster-100-580x724.jpg 580w\" sizes=\"auto, (max-width: 1081px) 100vw, 1081px\" \/><\/a><\/figure>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Miran Mohar 21\/06\/2025\/ 18:00h \/ Galeria 17 What is and what constitutes the art system of contemporary art? How does this system work and what are the differences between Eastern Europe and the Western world?\u00a0How should artists work and communicate within the art system?\u00a0 What have you have always wanted to know about the art&hellip; <\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n<div class=\"wp-block-post-date\"><time datetime=\"2025-06-18T13:23:05+00:00\">June 18, 2025<\/time><\/div>\n<\/li><li class=\"wp-block-post post-5250 post type-post status-publish format-standard has-post-thumbnail category-archiving-transition-en cs-entry cs-video-wrap\">\n<h2 id=\"pre-opening-guided-tour\" class=\"wp-block-post-title\"><a href=\"https:\/\/galeria17.org\/en\/pre-opening-guided-tour\/\" target=\"_self\" >Pre-opening guided tour<\/a><\/h2>\n\n<figure class=\"alignwide wp-block-post-featured-image\"><a href=\"https:\/\/galeria17.org\/en\/pre-opening-guided-tour\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"1081\" height=\"1351\" src=\"https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/Instagram_Artist-Talk-100.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Pre-opening guided tour\" style=\"object-fit:cover;\" srcset=\"https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/Instagram_Artist-Talk-100.jpg 1081w, https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/Instagram_Artist-Talk-100-240x300.jpg 240w, https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/Instagram_Artist-Talk-100-819x1024.jpg 819w, https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/Instagram_Artist-Talk-100-768x960.jpg 768w, https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/Instagram_Artist-Talk-100-200x250.jpg 200w, https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/Instagram_Artist-Talk-100-380x475.jpg 380w, https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/Instagram_Artist-Talk-100-580x725.jpg 580w\" sizes=\"auto, (max-width: 1081px) 100vw, 1081px\" \/><\/a><\/figure>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Artists of the Day After Tomorrow \u2013 Recording Transition (2002\u20132024) 20\/06\/2025 \u2013 18:00 We invite you to join us on the Pre-opening guided tours with the curators Miran Mohar and Fitore Isufi Shukriu and discover how the Artists of Tomorrow Award helped shape Kosovo\u2019s contemporary art scene over two decades \u2014 connecting local artists with&hellip; <\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n<div class=\"wp-block-post-date\"><time datetime=\"2025-06-18T13:21:44+00:00\">June 18, 2025<\/time><\/div>\n<\/li><li class=\"wp-block-post post-5248 post type-post status-publish format-standard has-post-thumbnail category-archiving-transition-en cs-entry cs-video-wrap\">\n<h2 id=\"artists-of-the-day-after-tomorrow-recording-transition-2002-2024\" class=\"wp-block-post-title\"><a href=\"https:\/\/galeria17.org\/en\/artists-of-the-day-after-tomorrow-recording-transition-2002-2024\/\" target=\"_self\" >Artists of the Day After Tomorrow &#8211; Recording Transition (2002-2024)<\/a><\/h2>\n\n<figure class=\"alignwide wp-block-post-featured-image\"><a href=\"https:\/\/galeria17.org\/en\/artists-of-the-day-after-tomorrow-recording-transition-2002-2024\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"1081\" height=\"1350\" src=\"https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/Instagram_-Poster-100.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Artists of the Day After Tomorrow &#8211; Recording Transition (2002-2024)\" style=\"object-fit:cover;\" srcset=\"https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/Instagram_-Poster-100.jpg 1081w, https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/Instagram_-Poster-100-240x300.jpg 240w, https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/Instagram_-Poster-100-820x1024.jpg 820w, https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/Instagram_-Poster-100-768x959.jpg 768w, https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/Instagram_-Poster-100-200x250.jpg 200w, https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/Instagram_-Poster-100-380x475.jpg 380w, https:\/\/galeria17.org\/wp-content\/uploads\/2025\/06\/Instagram_-Poster-100-580x724.jpg 580w\" sizes=\"auto, (max-width: 1081px) 100vw, 1081px\" \/><\/a><\/figure>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">20\/06\/2025 \u2013 05\/09\/2025 Curated by Miran Mohar and Fitore Isufi Shukriu This exhibition summarises the Artists of Tomorrow Award from 2002 to the present. Rather than focusing on the awarded artworks or artists, it focuses on the influence of this award on the development of the art system in Kosovo. Certainly, this award, in addition&hellip; <\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n<div class=\"wp-block-post-date\"><time datetime=\"2025-06-18T13:20:09+00:00\">June 18, 2025<\/time><\/div>\n<\/li><li class=\"wp-block-post post-4975 post type-post status-publish format-standard has-post-thumbnail category-archiving-transition-en cs-entry cs-video-wrap\">\n<h2 id=\"we-have-another-12-hours-performances\" class=\"wp-block-post-title\"><a href=\"https:\/\/galeria17.org\/en\/we-have-another-12-hours-performances\/\" target=\"_self\" >We have another 12 hours &#8211; Performances<\/a><\/h2>\n\n<figure class=\"alignwide wp-block-post-featured-image\"><a href=\"https:\/\/galeria17.org\/en\/we-have-another-12-hours-performances\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"868\" height=\"974\" src=\"https:\/\/galeria17.org\/wp-content\/uploads\/2024\/07\/Screenshot-2024-07-04-175224.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"We have another 12 hours &#8211; Performances\" style=\"object-fit:cover;\" srcset=\"https:\/\/galeria17.org\/wp-content\/uploads\/2024\/07\/Screenshot-2024-07-04-175224.png 868w, https:\/\/galeria17.org\/wp-content\/uploads\/2024\/07\/Screenshot-2024-07-04-175224-267x300.png 267w, https:\/\/galeria17.org\/wp-content\/uploads\/2024\/07\/Screenshot-2024-07-04-175224-768x862.png 768w, https:\/\/galeria17.org\/wp-content\/uploads\/2024\/07\/Screenshot-2024-07-04-175224-200x224.png 200w, https:\/\/galeria17.org\/wp-content\/uploads\/2024\/07\/Screenshot-2024-07-04-175224-380x426.png 380w, https:\/\/galeria17.org\/wp-content\/uploads\/2024\/07\/Screenshot-2024-07-04-175224-580x651.png 580w\" sizes=\"auto, (max-width: 868px) 100vw, 868px\" \/><\/a><\/figure>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">06\/07\/2024 17:00 Palace of Youth, Shopping Arcade &#8230; HAVEIT (established 2011 in Prishtina, based in Prishtina) Mission: A Reenactment, 2024 Back in 2004, the members of Charlie\u2019s Angels, Kosovo\u2019s pioneering female contemporary art collective, pedalled their way to nowhere for 12 hours at the Palace of Youth and Sports. Riding on stationary racing bikes, with&hellip; <\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n<div class=\"wp-block-post-date\"><time datetime=\"2024-07-04T15:57:10+00:00\">July 4, 2024<\/time><\/div>\n<\/li><li class=\"wp-block-post post-4969 post type-post status-publish format-standard has-post-thumbnail category-archiving-transition-en category-uncategorized cs-entry cs-video-wrap\">\n<h2 id=\"we-have-another-12-hours-artists-concepts\" class=\"wp-block-post-title\"><a href=\"https:\/\/galeria17.org\/en\/we-have-another-12-hours-artists-concepts\/\" target=\"_self\" >We have another 12 hours &#8211; Artists Concepts<\/a><\/h2>\n\n<figure class=\"alignwide wp-block-post-featured-image\"><a href=\"https:\/\/galeria17.org\/en\/we-have-another-12-hours-artists-concepts\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"2560\" src=\"https:\/\/galeria17.org\/wp-content\/uploads\/2024\/07\/12h__IG_1-scaled.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"We have another 12 hours &#8211; Artists Concepts\" style=\"object-fit:cover;\" srcset=\"https:\/\/galeria17.org\/wp-content\/uploads\/2024\/07\/12h__IG_1-scaled.jpg 2048w, https:\/\/galeria17.org\/wp-content\/uploads\/2024\/07\/12h__IG_1-240x300.jpg 240w, https:\/\/galeria17.org\/wp-content\/uploads\/2024\/07\/12h__IG_1-819x1024.jpg 819w, https:\/\/galeria17.org\/wp-content\/uploads\/2024\/07\/12h__IG_1-768x960.jpg 768w, https:\/\/galeria17.org\/wp-content\/uploads\/2024\/07\/12h__IG_1-1229x1536.jpg 1229w, https:\/\/galeria17.org\/wp-content\/uploads\/2024\/07\/12h__IG_1-1638x2048.jpg 1638w, https:\/\/galeria17.org\/wp-content\/uploads\/2024\/07\/12h__IG_1-200x250.jpg 200w, https:\/\/galeria17.org\/wp-content\/uploads\/2024\/07\/12h__IG_1-380x475.jpg 380w, https:\/\/galeria17.org\/wp-content\/uploads\/2024\/07\/12h__IG_1-580x725.jpg 580w, https:\/\/galeria17.org\/wp-content\/uploads\/2024\/07\/12h__IG_1-1160x1450.jpg 1160w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/><\/a><\/figure>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Bujar Bacaj (born 1980 in Peja, lives in Prishtina) Stop and go, 2004 Bujar Bacaj\u2019s contribution to I kemi 12 or\u00eb consisted of a set of pedestrian lights, mounted at the entrance to the shopping arcade at the Palace of Youth and Sports, and a large black-and-white-striped mat, laid out in front of the lights&hellip; <\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n<div class=\"wp-block-post-date\"><time datetime=\"2024-07-04T15:34:06+00:00\">July 4, 2024<\/time><\/div>\n<\/li><li class=\"wp-block-post post-4967 post type-post status-publish format-standard has-post-thumbnail category-archiving-transition-en cs-entry cs-video-wrap\">\n<h2 id=\"we-have-another-12-hours\" class=\"wp-block-post-title\"><a href=\"https:\/\/galeria17.org\/en\/we-have-another-12-hours\/\" target=\"_self\" >We have another 12 hours<\/a><\/h2>\n\n<figure class=\"alignwide wp-block-post-featured-image\"><a href=\"https:\/\/galeria17.org\/en\/we-have-another-12-hours\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"2560\" src=\"https:\/\/galeria17.org\/wp-content\/uploads\/2024\/07\/12h__IG_2-scaled.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"We have another 12 hours\" style=\"object-fit:cover;\" srcset=\"https:\/\/galeria17.org\/wp-content\/uploads\/2024\/07\/12h__IG_2-scaled.jpg 2048w, https:\/\/galeria17.org\/wp-content\/uploads\/2024\/07\/12h__IG_2-240x300.jpg 240w, https:\/\/galeria17.org\/wp-content\/uploads\/2024\/07\/12h__IG_2-819x1024.jpg 819w, https:\/\/galeria17.org\/wp-content\/uploads\/2024\/07\/12h__IG_2-768x960.jpg 768w, https:\/\/galeria17.org\/wp-content\/uploads\/2024\/07\/12h__IG_2-1229x1536.jpg 1229w, https:\/\/galeria17.org\/wp-content\/uploads\/2024\/07\/12h__IG_2-1638x2048.jpg 1638w, https:\/\/galeria17.org\/wp-content\/uploads\/2024\/07\/12h__IG_2-200x250.jpg 200w, https:\/\/galeria17.org\/wp-content\/uploads\/2024\/07\/12h__IG_2-380x475.jpg 380w, https:\/\/galeria17.org\/wp-content\/uploads\/2024\/07\/12h__IG_2-580x725.jpg 580w, https:\/\/galeria17.org\/wp-content\/uploads\/2024\/07\/12h__IG_2-1160x1450.jpg 1160w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/><\/a><\/figure>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Curator Catherine Nichols Date \/ 05.07.2024 Time \/ 19:00 Location \/ Galeria 17 Prishtina 2004. Several years had passed since the end of the Kosovo War. Yet independence, much longed and fought for, seemed a long time coming. There was a growing sense of frustration in the air. People were tired of waiting for statehood,&hellip; <\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n<div class=\"wp-block-post-date\"><time datetime=\"2024-07-04T15:15:21+00:00\">July 4, 2024<\/time><\/div>\n<\/li><li class=\"wp-block-post post-4544 post type-post status-publish format-standard has-post-thumbnail category-archiving-transition-en cs-entry cs-video-wrap\">\n<h2 id=\"everything-has-been-done\" class=\"wp-block-post-title\"><a href=\"https:\/\/galeria17.org\/en\/everything-has-been-done\/\" target=\"_self\" >Everything has been done<\/a><\/h2>\n\n<figure class=\"alignwide wp-block-post-featured-image\"><a href=\"https:\/\/galeria17.org\/en\/everything-has-been-done\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"1921\" height=\"1006\" src=\"https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Curator-talk-facebook.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Everything has been done\" style=\"object-fit:cover;\" srcset=\"https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Curator-talk-facebook.png 1921w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Curator-talk-facebook-300x157.png 300w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Curator-talk-facebook-1024x536.png 1024w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Curator-talk-facebook-768x402.png 768w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Curator-talk-facebook-1536x804.png 1536w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Curator-talk-facebook-200x105.png 200w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Curator-talk-facebook-380x199.png 380w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Curator-talk-facebook-580x304.png 580w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Curator-talk-facebook-1160x607.png 1160w\" sizes=\"auto, (max-width: 1921px) 100vw, 1921px\" \/><\/a><\/figure>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">06\/07\/20237pmProject Space 17 A curator\u2019s talk on re-invention, re-construction, re-exhibiting, re-building, re-interpretation, re-enacting, re-phrasing and re-creating of exhibitions. Thibaut de Ruyter will unfold the background of his project \u201cBack to the Gorges of Balkan\u201d and discuss the legacy of historical exhibitions. &#8212;After this almost serious talk, from 9pm Thibaut will play some serious tunes at&hellip; <\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n<div class=\"wp-block-post-date\"><time datetime=\"2023-07-04T10:15:47+00:00\">July 4, 2023<\/time><\/div>\n<\/li><li class=\"wp-block-post post-4534 post type-post status-publish format-standard has-post-thumbnail category-archiving-transition-en cs-entry cs-video-wrap\">\n<h2 id=\"merita-harxhi-koci\" class=\"wp-block-post-title\"><a href=\"https:\/\/galeria17.org\/en\/merita-harxhi-koci\/\" target=\"_self\" >Merita Harxhi &#8211; Koci<\/a><\/h2>\n\n<figure class=\"alignwide wp-block-post-featured-image\"><a href=\"https:\/\/galeria17.org\/en\/merita-harxhi-koci\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"1081\" height=\"1351\" src=\"https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Merita-Harxhi-Koci.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Merita Harxhi &#8211; Koci\" style=\"object-fit:cover;\" srcset=\"https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Merita-Harxhi-Koci.png 1081w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Merita-Harxhi-Koci-240x300.png 240w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Merita-Harxhi-Koci-819x1024.png 819w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Merita-Harxhi-Koci-768x960.png 768w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Merita-Harxhi-Koci-200x250.png 200w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Merita-Harxhi-Koci-380x475.png 380w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Merita-Harxhi-Koci-580x725.png 580w\" sizes=\"auto, (max-width: 1081px) 100vw, 1081px\" \/><\/a><\/figure>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Multi-artist Merita Harxhi Koci has experimented very successfully in several fields of visual art, applied art, and in haute couture. As a painting master, she has had numerous exhibitions in Madrid, Moscow, Mumbai, Puno, Museum Quartier &#8211; Vienna, Porec, Piran, Kassel &#8211; Germany, Buenos Aires and Ferrara, Zaketa, Thessaloniki and Tirana. Winner of the prestigious&hellip; <\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n<div class=\"wp-block-post-date\"><time datetime=\"2023-07-04T10:10:53+00:00\">July 4, 2023<\/time><\/div>\n<\/li><li class=\"wp-block-post post-4532 post type-post status-publish format-standard has-post-thumbnail category-archiving-transition-en cs-entry cs-video-wrap\">\n<h2 id=\"jakup-ferri\" class=\"wp-block-post-title\"><a href=\"https:\/\/galeria17.org\/en\/jakup-ferri\/\" target=\"_self\" >Jakup Ferri<\/a><\/h2>\n\n<figure class=\"alignwide wp-block-post-featured-image\"><a href=\"https:\/\/galeria17.org\/en\/jakup-ferri\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"1081\" height=\"1351\" src=\"https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Jacup-Ferri.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Jakup Ferri\" style=\"object-fit:cover;\" srcset=\"https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Jacup-Ferri.png 1081w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Jacup-Ferri-240x300.png 240w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Jacup-Ferri-819x1024.png 819w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Jacup-Ferri-768x960.png 768w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Jacup-Ferri-200x250.png 200w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Jacup-Ferri-380x475.png 380w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Jacup-Ferri-580x725.png 580w\" sizes=\"auto, (max-width: 1081px) 100vw, 1081px\" \/><\/a><\/figure>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Jakup Ferri (1981) Prishtina &#8211; Kosovo, based in Prishtina and Amsterdam. He studied at Prishtina Art Academy and Rijksakademie in Amsterdam. In 2006 he received the prestigious award Kunstpreis Europas Zukunft (The Future of Europe), Museum of Contemporary Art (GfZK) Leipzig. In 2008 he received the Buning Brongers Award in Amsterdam and in 2003 the&hellip; <\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n<div class=\"wp-block-post-date\"><time datetime=\"2023-07-04T10:08:53+00:00\">July 4, 2023<\/time><\/div>\n<\/li><li class=\"wp-block-post post-4522 post type-post status-publish format-standard has-post-thumbnail category-archiving-transition-en cs-entry cs-video-wrap\">\n<h2 id=\"driton-hajredini\" class=\"wp-block-post-title\"><a href=\"https:\/\/galeria17.org\/en\/driton-hajredini\/\" target=\"_self\" >Driton Hajredini<\/a><\/h2>\n\n<figure class=\"alignwide wp-block-post-featured-image\"><a href=\"https:\/\/galeria17.org\/en\/driton-hajredini\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"1081\" height=\"1351\" src=\"https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Driton-Hajredini.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Driton Hajredini\" style=\"object-fit:cover;\" srcset=\"https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Driton-Hajredini.png 1081w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Driton-Hajredini-240x300.png 240w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Driton-Hajredini-819x1024.png 819w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Driton-Hajredini-768x960.png 768w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Driton-Hajredini-200x250.png 200w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Driton-Hajredini-380x475.png 380w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Driton-Hajredini-580x725.png 580w\" sizes=\"auto, (max-width: 1081px) 100vw, 1081px\" \/><\/a><\/figure>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Driton Hajredini (1970) is a Kosovar artist who works across painting, video art, installation, photography and film. Born and raised in Prishtina, Hajredini studied at art academies in both Kosovo and Germany and now lives between the two countries. His work has been exhibited across the world, from solo exhibitions to film festivals. In 2003,&hellip; <\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n<div class=\"wp-block-post-date\"><time datetime=\"2023-07-04T10:05:47+00:00\">July 4, 2023<\/time><\/div>\n<\/li><li class=\"wp-block-post post-4520 post type-post status-publish format-standard has-post-thumbnail category-archiving-transition-en cs-entry cs-video-wrap\">\n<h2 id=\"dren-maliqi\" class=\"wp-block-post-title\"><a href=\"https:\/\/galeria17.org\/en\/dren-maliqi\/\" target=\"_self\" >Dren Maliqi<\/a><\/h2>\n\n<figure class=\"alignwide wp-block-post-featured-image\"><a href=\"https:\/\/galeria17.org\/en\/dren-maliqi\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"1081\" height=\"1351\" src=\"https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Dren-Maliqi.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Dren Maliqi\" style=\"object-fit:cover;\" srcset=\"https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Dren-Maliqi.png 1081w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Dren-Maliqi-240x300.png 240w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Dren-Maliqi-819x1024.png 819w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Dren-Maliqi-768x960.png 768w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Dren-Maliqi-200x250.png 200w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Dren-Maliqi-380x475.png 380w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/07\/Dren-Maliqi-580x725.png 580w\" sizes=\"auto, (max-width: 1081px) 100vw, 1081px\" \/><\/a><\/figure>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Dren Maliqi was born, lives and works in Prishtina. He has studied arts and sociology for some time, a process that is still ongoing. He is artist and an independent cultural worker he is constantly engaged in various cultural projects in Kosovo. His main goal is to develop a sustainable cultural environment around him and&hellip; <\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n<div class=\"wp-block-post-date\"><time datetime=\"2023-07-04T10:01:54+00:00\">July 4, 2023<\/time><\/div>\n<\/li><li class=\"wp-block-post post-4493 post type-post status-publish format-standard has-post-thumbnail category-archiving-transition-en cs-entry cs-video-wrap\">\n<h2 id=\"thibaut-de-ruyter\" class=\"wp-block-post-title\"><a href=\"https:\/\/galeria17.org\/en\/thibaut-de-ruyter\/\" target=\"_self\" >Thibaut de Ruyter<\/a><\/h2>\n\n<figure class=\"alignwide wp-block-post-featured-image\"><a href=\"https:\/\/galeria17.org\/en\/thibaut-de-ruyter\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"1081\" height=\"1351\" src=\"https:\/\/galeria17.org\/wp-content\/uploads\/2023\/06\/Thibaut_de_Ruyter.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Thibaut de Ruyter\" style=\"object-fit:cover;\" srcset=\"https:\/\/galeria17.org\/wp-content\/uploads\/2023\/06\/Thibaut_de_Ruyter.png 1081w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/06\/Thibaut_de_Ruyter-240x300.png 240w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/06\/Thibaut_de_Ruyter-819x1024.png 819w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/06\/Thibaut_de_Ruyter-768x960.png 768w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/06\/Thibaut_de_Ruyter-200x250.png 200w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/06\/Thibaut_de_Ruyter-380x475.png 380w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/06\/Thibaut_de_Ruyter-580x725.png 580w\" sizes=\"auto, (max-width: 1081px) 100vw, 1081px\" \/><\/a><\/figure>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Thibaut de Ruyter is a French-German architect, curator and critic. He lives and works in Berlin since 2001.As a trained architect, he conceives exhibitions on conceptual, technical and spatial level, delivering not only the content but also the design of his projects. His interests are based on new media and their archaeology, the relationship between&hellip; <\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n<div class=\"wp-block-post-date\"><time datetime=\"2023-06-29T14:44:54+00:00\">June 29, 2023<\/time><\/div>\n<\/li><li class=\"wp-block-post post-4481 post type-post status-publish format-standard has-post-thumbnail category-archiving-transition-en cs-entry cs-video-wrap\">\n<h2 id=\"back-to-the-gorges-of-balkan\" class=\"wp-block-post-title\"><a href=\"https:\/\/galeria17.org\/en\/back-to-the-gorges-of-balkan\/\" target=\"_self\" >Back to the Gorges of Balkan<\/a><\/h2>\n\n<figure class=\"alignwide wp-block-post-featured-image\"><a href=\"https:\/\/galeria17.org\/en\/back-to-the-gorges-of-balkan\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1005\" src=\"https:\/\/galeria17.org\/wp-content\/uploads\/2023\/06\/back-to-the-gorges-of-balkan_social_DEF_facebook.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Back to the Gorges of Balkan\" style=\"object-fit:cover;\" srcset=\"https:\/\/galeria17.org\/wp-content\/uploads\/2023\/06\/back-to-the-gorges-of-balkan_social_DEF_facebook.jpg 1920w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/06\/back-to-the-gorges-of-balkan_social_DEF_facebook-300x157.jpg 300w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/06\/back-to-the-gorges-of-balkan_social_DEF_facebook-1024x536.jpg 1024w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/06\/back-to-the-gorges-of-balkan_social_DEF_facebook-768x402.jpg 768w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/06\/back-to-the-gorges-of-balkan_social_DEF_facebook-1536x804.jpg 1536w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/06\/back-to-the-gorges-of-balkan_social_DEF_facebook-200x105.jpg 200w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/06\/back-to-the-gorges-of-balkan_social_DEF_facebook-380x199.jpg 380w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/06\/back-to-the-gorges-of-balkan_social_DEF_facebook-580x304.jpg 580w, https:\/\/galeria17.org\/wp-content\/uploads\/2023\/06\/back-to-the-gorges-of-balkan_social_DEF_facebook-1160x607.jpg 1160w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a><\/figure>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Curated by: Thibaut de RuyterArtists: Dren Maliqi, Driton Hajredini, Jakup Ferri, Merita Harxhi-Koci Did the art scene from Kosovo radically change during the last twenty years? Are artists producing again and again the same kind of artworks? Does their art evolve with the political situation that surrounds them or the places where they exhibit? Those&hellip; <\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n<div class=\"wp-block-post-date\"><time datetime=\"2023-06-29T14:33:04+00:00\">June 29, 2023<\/time><\/div>\n<\/li><li class=\"wp-block-post post-3755 post type-post status-publish format-standard has-post-thumbnail category-archiving-transition-en category-uncategorized cs-entry cs-video-wrap\">\n<h2 id=\"panel-discussion-pertej-archiving-transition\" class=\"wp-block-post-title\"><a href=\"https:\/\/galeria17.org\/en\/panel-discussion-pertej-archiving-transition\/\" target=\"_self\" >Panel discussion: P\u00cbRTEJ &#8211; Archiving Transition<\/a><\/h2>\n\n<figure class=\"alignwide wp-block-post-featured-image\"><a href=\"https:\/\/galeria17.org\/en\/panel-discussion-pertej-archiving-transition\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"1921\" height=\"1005\" src=\"https:\/\/galeria17.org\/wp-content\/uploads\/2022\/07\/Cover-event.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Panel discussion: P\u00cbRTEJ &#8211; Archiving Transition\" style=\"object-fit:cover;\" srcset=\"https:\/\/galeria17.org\/wp-content\/uploads\/2022\/07\/Cover-event.jpg 1921w, https:\/\/galeria17.org\/wp-content\/uploads\/2022\/07\/Cover-event-300x157.jpg 300w, https:\/\/galeria17.org\/wp-content\/uploads\/2022\/07\/Cover-event-1024x536.jpg 1024w, https:\/\/galeria17.org\/wp-content\/uploads\/2022\/07\/Cover-event-768x402.jpg 768w, https:\/\/galeria17.org\/wp-content\/uploads\/2022\/07\/Cover-event-1536x804.jpg 1536w, https:\/\/galeria17.org\/wp-content\/uploads\/2022\/07\/Cover-event-200x105.jpg 200w, https:\/\/galeria17.org\/wp-content\/uploads\/2022\/07\/Cover-event-380x199.jpg 380w, https:\/\/galeria17.org\/wp-content\/uploads\/2022\/07\/Cover-event-580x303.jpg 580w, https:\/\/galeria17.org\/wp-content\/uploads\/2022\/07\/Cover-event-1160x607.jpg 1160w\" sizes=\"auto, (max-width: 1921px) 100vw, 1921px\" \/><\/a><\/figure>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">The exhibition &#8220;P\u00cbRTEJ&#8221; was organized 25 years ago as a joint project of Dodona Gallery and the Center for Cultural Decontamination from Belgrade. A historical collaboration for the time and circumstances. This is because the organization of the exhibition in Belgrade in the circumstances of that time, when Kosovo was practically before the outbreak of&hellip; <\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n<div class=\"wp-block-post-date\"><time datetime=\"2022-09-29T19:00:00+00:00\">September 29, 2022<\/time><\/div>\n<\/li><li class=\"wp-block-post post-3749 post type-post status-publish format-standard has-post-thumbnail category-archiving-transition-en cs-entry cs-video-wrap\">\n<h2 id=\"reception-pertej-archiving-transition\" class=\"wp-block-post-title\"><a href=\"https:\/\/galeria17.org\/en\/reception-pertej-archiving-transition\/\" target=\"_self\" >Reception \/ P\u00cbRTEJ &#8211; Archiving Transition<\/a><\/h2>\n\n<figure class=\"alignwide wp-block-post-featured-image\"><a href=\"https:\/\/galeria17.org\/en\/reception-pertej-archiving-transition\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"1921\" height=\"1005\" src=\"https:\/\/galeria17.org\/wp-content\/uploads\/2022\/07\/Cover-event.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Reception \/ P\u00cbRTEJ &#8211; Archiving Transition\" style=\"object-fit:cover;\" srcset=\"https:\/\/galeria17.org\/wp-content\/uploads\/2022\/07\/Cover-event.jpg 1921w, https:\/\/galeria17.org\/wp-content\/uploads\/2022\/07\/Cover-event-300x157.jpg 300w, https:\/\/galeria17.org\/wp-content\/uploads\/2022\/07\/Cover-event-1024x536.jpg 1024w, https:\/\/galeria17.org\/wp-content\/uploads\/2022\/07\/Cover-event-768x402.jpg 768w, https:\/\/galeria17.org\/wp-content\/uploads\/2022\/07\/Cover-event-1536x804.jpg 1536w, https:\/\/galeria17.org\/wp-content\/uploads\/2022\/07\/Cover-event-200x105.jpg 200w, https:\/\/galeria17.org\/wp-content\/uploads\/2022\/07\/Cover-event-380x199.jpg 380w, https:\/\/galeria17.org\/wp-content\/uploads\/2022\/07\/Cover-event-580x303.jpg 580w, https:\/\/galeria17.org\/wp-content\/uploads\/2022\/07\/Cover-event-1160x607.jpg 1160w\" sizes=\"auto, (max-width: 1921px) 100vw, 1921px\" \/><\/a><\/figure>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Open for public: 23.07-30.10.2022 Reception: 24.07.2022\/ 18:00h We are delighted to invite you all to our next exhibition taking place at Galeria 17 and Grand Hotel. On Sunday, July 24 we are gathering at Project Space 17 to celebrate the opening of our third exhibition, which is part of Manifesta 14 program.Archiving transition, is one&hellip; <\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n<div class=\"wp-block-post-date\"><time datetime=\"2022-07-24T18:00:00+00:00\">July 24, 2022<\/time><\/div>\n<\/li><li class=\"wp-block-post post-3691 post type-post status-publish format-standard has-post-thumbnail category-archiving-transition-en cs-entry cs-video-wrap\">\n<h2 id=\"pertej-archiving-transition\" class=\"wp-block-post-title\"><a href=\"https:\/\/galeria17.org\/en\/pertej-archiving-transition1\/\" target=\"_self\" >P\u00cbRTEJ &#8211; Archiving Transition<\/a><\/h2>\n\n<figure class=\"alignwide wp-block-post-featured-image\"><a href=\"https:\/\/galeria17.org\/en\/pertej-archiving-transition1\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"1081\" height=\"1350\" src=\"https:\/\/galeria17.org\/wp-content\/uploads\/2022\/07\/Pertej_IG.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"P\u00cbRTEJ &#8211; Archiving Transition\" style=\"object-fit:cover;\" srcset=\"https:\/\/galeria17.org\/wp-content\/uploads\/2022\/07\/Pertej_IG.png 1081w, https:\/\/galeria17.org\/wp-content\/uploads\/2022\/07\/Pertej_IG-240x300.png 240w, https:\/\/galeria17.org\/wp-content\/uploads\/2022\/07\/Pertej_IG-820x1024.png 820w, https:\/\/galeria17.org\/wp-content\/uploads\/2022\/07\/Pertej_IG-768x959.png 768w, https:\/\/galeria17.org\/wp-content\/uploads\/2022\/07\/Pertej_IG-200x250.png 200w, https:\/\/galeria17.org\/wp-content\/uploads\/2022\/07\/Pertej_IG-380x475.png 380w, https:\/\/galeria17.org\/wp-content\/uploads\/2022\/07\/Pertej_IG-580x724.png 580w\" sizes=\"auto, (max-width: 1081px) 100vw, 1081px\" \/><\/a><\/figure>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">22\/07\/2022 \u2013 30\/10\/2022 \ud835\ude08\ud835\ude2f\ud835\ude25 \ud835\ude35\ud835\ude29\ud835\ude30\ud835\ude34\ud835\ude26 \ud835\ude38\ud835\ude29\ud835\ude30 \ud835\ude29\ud835\ude36\ud835\ude34\ud835\ude23\ud835\ude22\ud835\ude2f\ud835\ude25\ud835\ude26\ud835\ude25 \ud835\ude35\ud835\ude29\ud835\ude26 \ud835\ude0e\ud835\ude30\ud835\ude2d\ud835\ude25\ud835\ude26\ud835\ude2f \ud835\ude28\ud835\ude33\ud835\ude22\ud835\ude2a\ud835\ude2f,\ud835\ude08\ud835\ude2f\ud835\ude25 \ud835\ude35\ud835\ude29\ud835\ude30\ud835\ude34\ud835\ude26 \ud835\ude38\ud835\ude29\ud835\ude30 \ud835\ude27\ud835\ude2d\ud835\ude36\ud835\ude2f\ud835\ude28 \ud835\ude2a\ud835\ude35 \ud835\ude35\ud835\ude30 \ud835\ude35\ud835\ude29\ud835\ude26 \ud835\ude38\ud835\ude2a\ud835\ude2f\ud835\ude25\ud835\ude34 \ud835\ude2d\ud835\ude2a\ud835\ude2c\ud835\ude26 \ud835\ude19\ud835\ude22\ud835\ude2a\ud835\ude2f,\ud835\ude08\ud835\ude2d\ud835\ude2a\ud835\ude2c\ud835\ude26 \ud835\ude35\ud835\ude30 \ud835\ude2f\ud835\ude30 \ud835\ude34\ud835\ude36\ud835\ude24\ud835\ude29 \ud835\ude22\ud835\ude36\ud835\ude33\ud835\ude26\ud835\ude22\ud835\ude35\ud835\ude26 \ud835\ude0c\ud835\ude22\ud835\ude33\ud835\ude35\ud835\ude29 \ud835\ude22\ud835\ude33\ud835\ude26 \ud835\ude35\ud835\ude36\ud835\ude33\ud835\ude2f&#8217;\ud835\ude25\ud835\ude08\ud835\ude34 \ud835\ude23\ud835\ude36\ud835\ude33\ud835\ude2a\ud835\ude26\ud835\ude25 \ud835\ude30\ud835\ude2f\ud835\ude24\ud835\ude26, \ud835\ude14\ud835\ude26\ud835\ude2f \ud835\ude38\ud835\ude22\ud835\ude2f\ud835\ude35 \ud835\ude25\ud835\ude36\ud835\ude28 \ud835\ude36\ud835\ude31 \ud835\ude22\ud835\ude28\ud835\ude22\ud835\ude2a\ud835\ude2f. Trying to imagine the opening day of the P\u00ebrtej exhibition in Belgrade in a year such as 1997, we will be able&hellip; <\/p><\/div>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n<div class=\"wp-block-post-date\"><time datetime=\"2022-07-20T10:08:46+00:00\">July 20, 2022<\/time><\/div>\n<\/li><\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"Archiving transition refers to dedicated projects, which have been swallowed up by the dynamics of the prolonged transition&hellip;\n","protected":false},"author":1,"featured_media":0,"parent":2675,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"page-leftnav-default.php","meta":{"wpupg_custom_link":[],"wpupg_custom_link_behaviour":[],"wpupg_custom_link_nofollow":[],"wpupg_custom_image":[],"wpupg_custom_image_id":[],"csco_display_header_overlay":false,"csco_page_header_type":"","csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"footnotes":""},"class_list":["post-3062","page","type-page","status-publish","cs-entry","cs-video-wrap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - 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